Chamber music with strings

Zwei Spielpartituren

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Auftragskomposition für die Chamber Music Palisades, gewidmet Susan Greenberg und Delores Stevens.

Partitur und Stimmen

Nur Partitur, keine Stimmen.

This edition contains only solo flute and solo viola

Parts and score

Das ist die Partitur. Stimmen separat erhältlich.

Einzelstimmen, Partitur separat erhältlich.

Partitur, Stimmen separat erhältlich

Only parts.

Parts and score. The original of this piece of music holds the British Museum. Dedicated to the Earl of Abingdon.

Only parts, no score

Only parts, no score

Parts (including flute and harpsichord as well as three times the strings) and score

Transcription of the organ Prelude and Fugue from the series by the Berlin Bach Academy (Heribert Breuer). The woodwinds are the soloists, violin parts are included three times each, viola and cello twice each. the score is also part of the bundle.

Piano part in very small notes because it is at the same time the score including the cello part. The really unfinished Larghetto is only one line. Thus it is only one movement.

Only parts, no score

Stimmen, keine Partitur

Only parts, no score

Partitur und Stimmen

Bearbeitung der 16 Klavierwalzer.

Studienpartitur in Handschrift

Rekonstruktion der Originalversion für Nonett. Die Stimmen sind nur als Miet-Material erhältlich.

Only score, no parts. Each movement a different instrumentation, only the last is tutti.

Only parts, no score

Only score, no parts

Parts and score, the duration is given with 7 minutes and 15 seconds

Really hard to play, viola and cello have to read changing keys, many time changes. Flute goes up to c4, harmonies are a bit crooked but not too much.

All movements short, no score.

Only parts, no score

Only parts, no score

Looks like a piano concerto with accompaniment by flute and cello, the original title gives the piano on first position, too.

Mini score

Der kurze Einleitungstext von Ulrich Thieme gibt Hinweise zur Ausführung der Verzierungen und anderen Stilfragen.

Only parts, no score

Very demanding, especially the first movement. I seem to hear a bit of Reger and of Debussy in the first and third movement.

Only one score

Nur Partitur, keine Stimmen.

Parts and score

Partitur und Stimmen

Parts and score. The violin part is said to be the flute part, too. But is not playable because it goes down to the a flat beyond the line.

Parts and score, the flute part of this edition is playable for a flute.

Parts and Score

Only score

Stimmen

Partitur und Stimmen. Gewidmet dem Hélios Quartett und dem Gedenken an Jean-Pierre Rampal

Dedicated to the Linos-Ensemble. Duration about 20 minutes

Only score, no parts, hand written and hard to read)

Only parts

Klavierstimme enthält Partitur, Einzelstimmen inklusive

Parts (score is a different edition)

Score, parts and a recording of the work with well known flutists, among them the son of the composer.

There is a separate part for each of the alternatives (flute or violin). Thus the different sound and technical possibilities (double stops) are used.

This famous flute solo was added to the score of the opera Orpheus and Eurydice in the second edition of 1774.

Partitur und Stimmen

Partitur und Stimmen

Only parts, no score. There are lots of errors in this edition. The introductory text sounds great, the music is it not really.

Appeared first in Paris in 1790

Only parts, no score

To be played alternatively with a flute orchestra (6 parts). All parts and a score are included. The bass flute part may be played with alto flute or flute. For the flute orchestra version there is a double bass part additionally.

Only Parts, no score

Parts and score

An old edition from the second hand bookshop. Only parts, no score. Probably this edition is no longer sold.

The Divertimenti are really fine, many slowly movements, sounding fine and fun to play.

Nur Stimmen.

Only parts, no score

Only parts, no score

Only parts

Flute plays from score

Parts and score

First edition of a manuscript from the court bibliotheque at Regensburg

Partitur und Stimmen

Flute plays from score, separate viola part included.

Parts and score, both in a relatively small handwriting.

Only parts, no score.

Score including cadencas

For playing this you need the orchester parts and the separate flute part. Additinal string parts can be ordered.

Only parts, no score

Parts and score

Set for additional strings, all winds are missing.

Partitur und Stimmen. Der optionale Bass spielt aus der Partitur, dort finden sich auch Akkordsymbole für andere Begleitinstrumente.

These are the parts. The score is separately available from the same edition. Looks a bit complicated, changing times.

Parts and score. A part fo clarinet in A is included as an alternative.

Composed in 1925. Each part is in a different key.

Parts and score

Old edition with parts and score. Beautiful, for example for service.

Hard to read due to a print in handwriting fashion. Lots of changes of time.

Only one score

Only parts, no score.

Parts and score

This edition is based on a print from the library of the monastery Einsiedeln.

Parts and score.

Parts and score

Score, parts separately available.

Parts. The duration is noted to be 35 minutes.

Only parts,no score

Nur Stimmen, keine Partitur

Parts and score

Das ist der Stimmsatz. Einzelstimmen sind nicht mehr erhältlich, eine Partitur gibt es separat. Der Satz umfasst Flöte, Klarinette, je fünf mal Violine I und Violine II, je dreimal Bratsche und Cello und zwei Kontrabass-Stimmen. Das Stück ist auch für Streicher ohne die beiden Bläser spielbar (dafür liegen für die Geigen entsprechend modifizierte Stimmen bei).

Partitur. Stimmsatz ist separat erhältlich. Partitur enthält auch die Version für Streichquartett ohne Bläser.

Partitur und Stimmen

Parts and score

Very complicated.

First and second movement I did play. Both are easy to play, nice music and possible to do with organ accompaniment.

The 12 Sonatas were first printed 1712 by G. Sale in Venice

Only parts.

Stimmen und Partitur

1789 als Bearbeitung einer Sopranarie aus "Le Nozze di Figaro" in Wien erschienen. Vermutlich nicht von Mozart bearbeitet, jedoch von ihm gebilligt.

Instead of the oboe this part might be played on a violin or second flute. This edition was done by Maximilian Schwedler

Only parts, no score.

By procurement of the the flutist Johann Baptist Wendling De Jean ordered these quartets from Mozart for 200 gulden. After completion of the first quartet, Mozart was distracted by the acquaintance with Aloisia Weber and the rest of the composition was delayed. On the day of departure, De Jean thus reduced the payment to 96 gulden.

I played that lately and enjoyed it very much. Very fine music! Technically not too difficult for all players.

Nur Stimmen, keine Partitur

urtext edition by Henrik Wiese

Schöne Sammlung, auch mit weniger bekannten Stücken.

Die Bassstimme enthält nur die Barockstücke mit b.c.

Die hier angegebene Bestellnummer ist die Klavierstimme (dickes Buch mit Bildern und Texten). Dazu können separat weitere Stimmen erworben werden. Es ergibt sich ein vierstimmiger Satz zum Klavier, der wahlweise mit C-, B- und Es-Stimmen (C auch im Bassschlüssel) gefüllt werden kann.

Stimmen und Partitur

parts

The continuo is given in original in the score. The edition is very nice with many pictures of the original hand writing. All information in Italian.

Parts and score, the duration is given with 4 minutes and 30 seconds

Two of the four parts are virtually non-playable. Printed on both sides of one sheet of paper, copy denied and no break for turning the page.

Beautiful melody, easy to play, perhaps a bit easy listening.

4. Flöte ist optional, Partitur und Stimmen.

This edition is made from the first print, to be found at Bavarian National Library

First edition 1741

Op. 77a is dedicated to Albert Eisenberg and had premiere in 1904 in Munich. Op. 141a was written 1915.

Reger wrote in the accompanying letter to his editor: "Enclosed you will find something very easy, simple and melodic..... But I ask you heartily not to disregard this unimpressive work, because it will be able to make me lots of new friends...."

For op. 141a an alternative violine part is included.

Only parts, good paper.

Really beautiful and very fancy. Everybody will need to have some practising. The last movement convinces with a really Spanish sound as the title already promises.

Parts and score.

Parts and score

Parts and score

Dedicated to Til Holger Gilber Jespersen (flute), Erling Bloch (violin) and Torben Anton Svendsen (cello).

This is the score. The parts are available from the same publisher.

Parts, the score is separately available

Nur Stimmen, keine Partitur.

Nur Stimmen, keine Partitur.

Wer die Bläserquartette kennt, wird manches wiedererkennen. Hier ist die Stimmenverteilung aber eher in Art eines Flötensolos angelegt.

Only parts, no score

Nur die Partitur.

Unfortunately without score

Parts and score

Urtext edition, piano part is score.

Dedicated to Jeanette Hoffmann

Parts and score.

Written in 2008 and dedicated to Bridget Stroebel

The handwriting was found in the Royal library in Copenhagen.

Partitur und Stimmen

This trio is also called "Children"s trio", because it was composed for the three children of pianist Margrit Webe in Switzerland. Those were the ones to play it first, too. The piece is technically very simple and the composer first did not agree upon printing. The Ricercare shows the names of the children (Thomas, Maria and Helen) and the name of the village, where the music was composed (Baech) in notes.

First edition in 1730 in Paris

The orchestra parts include three times the first violin, three times the second violin, two times the viola and three times bass or cello. The score has to be bought separately.

The parts include each of the violins three times, the viola and the cello/bass each twice and one part for each of the winds (flute, flute, bassoon)

Parts and score

Die Flöten- und Bass-Stimme sind in Partitur geschrieben. Diese Partitur liegt zweifach bei. Zwischen beiden Stimmen sind Artikulationen, Dynamik und Phrasierungen als Vorschläge eingetragen. Das ist eine unaufdringliche Art der "Bearbetiungen", ich fand das sehr intelligent gelöst. Die Bassstimme erlaubt ein Mitlesen und erleichtert so das Zusammenspiel. Die beiden schnellen Sätze fallen durch vielseitige Rhythmik auf (Überbindungen, Triolen, Sechzehntel). Ich fand das sehr schön, Barock aber mal ganz anders.

First edition published 1905 in Leipzig and dedicated to Mr. W. Tieftrunk.

Herausgegeben von Doriot Anthony Dwyer und mit zahlreichen handschriftlichen Anmerkungen in Englisch versehen. Partitur und Stimmen, letztere in relativ dünnem Papier auf losen Doppelbögen. Der Verlag beansprucht nur die Rechte an den Bearbeitungen, nicht am Werk.

The edition consists of the score and the single parts for violin I, violin II, viola, cello and double bass.

This is the first edition of an early composition, accessible only since 1967. In the original there was a second flute playing parts of the melody one octave beneath the first flute.

Only parts, each part only one page. The flute goes up to b3.

Only parts, one page each.

Only parts, one page each.

Aus einem Manuskript mit 24 Konzerten von 1725. Partitur und Einzelstimmen.

Parts and score

Only parts.

I did not know this composer, but it is a really beautiful piece of music.

Parts and sore

Parts and score

Edited by Karlheinz Zöller, no score, only parts

Parts and score. I liked this very much. Surprising rhythmics and harmonics and every part is very self-contained.

Parts and Score

Only parts, no score

Published in 1820. Dedicated to Webers physician, the amateur cellist, Dr. Philipp Jungh from Prague

Studienpartitur, in der alle Instrumente klingend notiert sind. Als Dauer wird 9 Minuten angegeben.

The piano part is also the score. Each movement is a invention for another instrumentation. The edition was the price at a contest.